In the interest of disclosure, I should preface this post by saying that I had a bad experience with an audiobook once. (It pulled a knife on me in a dark alley…) No, it was the fact that the narrator felt the need to read the female characters’ lines in falsetto. This is probably undue punishment on an entire industry, but I’ve haven’t tried to listen to an audiobook since.

I mention this because I’ve been thinking a bit about the Association for Library Service to Children (ALSC) list of 2010 Notable Children’s [Sound] Recordings, which came out last month. Of the thirty titles, only four are music CDs. Two are Putumayo Kids releases, one is Recess Monkey’s Field Trip, and the other one is some Jewish lullaby album. It’s a pretty typical ratio for music and audiobooks, and Field Trip is probably the most progressive “notable” to date, so maybe I should be applauding the committee for this step in the right direction. But I’m not.
I’m not much for lullabies, but I like Putumayo Kids as much as the next guy, and I like Recess Monkey at least as much as the next guy. But…these inclusions seem a little limited in scope. I’m not suggesting that the NSR committee search high and low for every independently-released album each year, but I am convinced that they are suffering from one of two problems: either the committee is largely unaware of this burgeoning genre of music, or they aren’t giving it enough credit. I suppose, less cynically, I could also leave room for the possibility that neither statement is true, and instead it’s a case of disagreement among committee members. It’s possible.
I’m sure it’s not appropriate to do so, but in my mind I’m extrapolating these committee decisions, year after year, as a reflection of the profession in general. I mean, we’re librarians. We like books. It’s been the same story with videos—for years, about half of the Notable Children’s Videos titles are from Weston Woods. [1] Theatrical releases aren’t eligible, but (as far as I can tell by the manual), anything else is fair game. Weston Woods videos are all well and good, but after so many years of putting them on these lists, it’s hard to believe that they are still so “important, distinguished, and outstanding.”
I’m just speculating about the videos—I didn’t spend countless hours reviewing them, and I probably haven’t actually seen any of the ones on this year’s list. But I do know a fair amount about kids’ music releases from last year, so I guess I should get back on topic.
Next up » Part 2 » Why not listening to audiobooks may hurt me in the long run, and what any of this has to do with why I blog! (read it)
[1] For the uninitiated, Weston Woods makes short films out of picture books. The animation is minimal, and very true to the original; the words are on the screen, just like they would be in the book; and the narration…well…the narrator typically has good diction, anyway.